Ça Marche Trabajos Forzados

ÇA MARCHE. “TRABAJOS FORZADOS”

THEATER

DATE // TIME

May 28th, Wednesday, 2025 // 7:00pm

DURATION

55'

SPACE

Auditorium

LANGUAGE

Spanish

TICKET

€12 / €8,40 with AZ Card (Tickets purchased before April 28th will receive a 50% discount)

REDUCED RATES

Ticket sales only in person at AZ Info: €9 for professionals in the sector, persons over 65*, under 30* or with a disability over 33%* (show ID card or proof of disability when buying a ticket) / €9 Groups of 8 or more/ €6 person in a wheelchair and companion. All tickets purchased before April 28th will receive a 50% discount.

The theatre company Ça Marche presents "Trabajos forzados", a performance project they are working on as Associate Artists at Azkuna Zentroa.

The piece questions the dynamics of language and its relationship with the body, starting from the idea of silence, both elected and imposed. In this work, Ça Marche proposes a reflection on how Western civilisation has prioritised orality, imposing it as the dominant form of communication, and seeks to explore the experience of those who are forced to relate to speech in a different way.

Oliver Sacks says that “language users tend to have a naïve realism, because they tend to see their language as a reflection of reality and not as a construction.” According to the creators, “We often refer to those who use voice as speakers, as though there is only one possible form of speech which does not include sign language because it is the language of the deaf”.

As part of Prototipoak Bilbao, the International Biennial of New Artistic Forms at Azkuna Zentroa, this unconventional theatre performance takes the audience on a journey away from “the paternalistic, the pedagogical and the pornographic” to access not only another form of communication but also another form of sensitivity, “a more corporal way of being”.

As usual, Ça Marche involves non-professional performers in this work, in this case from the deaf community, who put more emphasis on the specific body, far from convention and physical tradition, which prioritise standardised voice and movement.

Throughout the process, the company has established relationships with numerous deaf people associations, institutions and companies that are doing their own work and developing reflections on accessibility. The aim is to use “Trabajos forzados” as an opportunity to develop spaces, projects or contexts involving the deaf community “that can broaden the experience and its future footprint as much as possible”.

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SYNOPSIS

It all started with a question that came about from thinking about great figures throughout history who chose silence, not to speak anymore, not to write anymore, not to act anymore, not to be anymore: Empedocles, Kafka, Hölderlin, Beckett, Rimbaud, etc. The question arises when one thinks not about elective silence, but about imposed silence and what happens there. The project involves the deaf community of Barcelona, who actively participate in the creative process.

“Trabajos forzados” invites the spectator to go on a sensory journey, questioning the imposition of orality in our civilisation and how language is inscribed in our bodies. More than a conventional theatrical performance, the piece proposes a profound reflection on the accessibility and understanding of other forms of communication, far from the paternalistic and pedagogical.

Nico Ça Marche

ÇA MARCHE

Ça Marche is a performing arts company established in 2015 in Barcelona. It develops creative projects based on a dialogue between theatre, performance, movement and visual arts.

Their interest in connecting the authors’ stage creations with local audiences has led them to focus on amateur performers. Girls, boys, teenagers and older non-professionals make up the casts of their pieces, contributing their bodily and experiential material, the texture of each city and each person.

As Associated Artists at Azkuna Zentroa they are developing the stage performance “Trabajos forzados” and the technical residency “Incedis” (Fire).

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