He uses sounds obtained from electronic devices waste often inter-relating it with field recordings or acoustic instruments in the search for an immersive, intense and intimate experience. A “music” comprising adventurous forms filled with contrasts yet not without humour, which questions the frontiers between academic electro-acoustic music, industrial music, noise, and the so-called “outsider” music.

This sound artist has developed the “Comclapompos. Usar el flujo como un cauce” project over the last two years. It is a musical composition work that embraces the environment’s synergies in order to deepen in the multiple possibilities of the structure. Starting with a highly experimental conception and closer to electro-acoustics, Miguel A. Garcia’s music folds and unfolds to incorporate voice, dance, other languages and other feelings, delving into the decomposition as a resource. As explained by the artist, “Sound is the medium, which for me is the origin, not the end. In parallel to working with musicians and artists who also start from that medium, I am likewise interested in expanding it to other disciplines, though always in an organic way.”